TEACHER INTERVIEW Verde Valley Country Day School May 29, 1992 Q. How long have you been at this school: A. I've been here eight years. Q. And how long have you been teaching? A. This is my 16th year. Q. Influenced by the head of school? A. Yeah, I would say probably my first year here I had a really difficult time working with students who very much admired and enjoyed the previous drama teacher and as first year work often goes, it's kind of difficult to decide what is appropriate in a way of discipline, what's appropriate in the way of materials to teach that you really don't know what has been taught previously, and I became rather discouraged and went in and talked with our head and he said, "You know, one of the things that you probably need to do is to kind of lighten up a little bit. Your expectations are very high. Even though we are a college prep school students are taking drama as more of a release and I think you need to look at it that way and of course, there's some important material that you need to cover but maybe you need to cover it in a different light and maybe teaching through the materials, through the sureness that you teach, and some of the history or some of the other information that you want to get students involved in and not spend too much time book learning because they're doing so much of that in all their other classes" and you know, it really, I realized also from talking with other teachers that they study a lot about Shakespeare in the English classes, they read Shakespeare. They get a lot of background information that I really didn't have to cover and feel stressed at trying to cover. I really needed to focus more on getting students up and getting them involved with characterization and getting them to work on self-confidence and getting them to work as a pertinent group and there are areas that I really felt that my focus needed to be on and I think when I finally came to that realization, my job became a lot easier -------------------- that is important to me. Q. Influenced by the Board of Trustees? A. Well, I've sort of gone in different directions and I was thinking seriously about changing schools about 2 years ago and kind of wavering back and forth as to whether I wanted to get into doing more administrative work. My goal was kind of then in that direction and I was teaching part time up until two years ago and then I went to our head who went to the Board and I requested that I be put on full time and that I was really interested in getting into doing some administrative work and they approved that, so now I'm involved with coordinating our, we have an exchange program with a school in Kiev, Ukraine, and I totally coordinate that at this point and I'm going to be, next year I'm going to be into a position as Dean of Students so I'll be teaching part time and doing the Dean's assistant part time and, Q. Is this a new position? A. This is a new position that they created for me. Yes we had a 5 year plan that we worked on this year. We had gotten the school involved and the community involved and out of that, out of the meetings that we had here they determined there was a need and it was something I'd always wanted to do. I'm student council advisor and I've helped with our career day and I've help with, well I'm National Honor Society advisor where I've been involved in a lot of administrative work and be involved with a lot of student activities to begin with and this sort of all fell under one title and it seemed like a natural position. So, I'll be doing that next year. I'm also, I've been doing the athletic director's position for the last two years which is also an administrative position. Q. Do you have an administrative background? A. No, I don't and that's one of the things that I really appreciate on having the advantage to do in a private school. I don't know that anybody would have even looked at me in a public school without that background and I guess people just have the confidence in me from the work that I've done here to give me more and more work to do. And it's seemed to work out and now I'm really thinking, I have about 35 units, graduate units, but I don't have my master's at this point and I'm trying to decide now whether I want to go back and finish it in administration or whether I want to get a master's in drama. Q. Is that where your 35 units are? A. Actually it's a mixture. I have some in education, I have some in counseling and I have some in drama. Q. Influenced by a department chair? A. Yah, __________ something that I was interested in doing and went to her to talk about and that was trying to develop and interdisciplinary program within the arts and I, we both went to a workshop in Flagstaff, I think it was about 3 summers ago and we both got really excited about trying to work out a program and through her help and through the coordination of the music teacher also and myself, we developed a program that revolves around different cultures and we did it for two years in a row and then we decided there were certain things in each of our disciplines that we felt we needed to focus on that maybe we couldn't concentrate on as much when we were working together so we divided up the program now so that we do it every other year and we will team teach for one year and the team teaching will be around what ever culture we decide we want to work on and then the second year we'll each take the different classes individually and work on basic skills. I'm really excited, we just really had a ball working together. We've accomplished so much and I've learned so much about the other disciplines. It's been very, very interesting for me. I feel like it's been a real growing experience for myself. Q. Influenced by state or federal program or regulations? A. Well, I've had the opportunity, I've been on the board of the (state name) Theatre Educators Association and had the opportunity to work on the statewide curriculum and this also took place about six or seven years ago. It might even be longer than that and I've watched what has happened to the original curriculum that we worked on developing and I think become a reality and also, the fact that now the Fine Arts, you know is becoming a requirement in the schools - having one year of Fine Arts or in the public schools, yah and I think that's through the work of the group that I originally started. Q. Does that effect you here at all? A. That doesn't effect here because we already, we've had that requirement here for as long as I've been here. I don't know how far back it goes but students have to take at least one year of Fine Arts as a requirement in high school and they all have Fine Arts starting from elementary on up through 8th grade as a requirement. Q. Does the state curriculum effect you at all? A. Well, I think it's more clearly defined the direction that we can go and we don't necessarily have to go in but it, I think it makes what we do maybe a little bit more visible and a little bit more real to administrators when they see it in the form of the curriculum where they can go through and I think read and see exactly what we are working towards and what our goals are and, you know, what we really are teaching. Q. So in this school you follow that state curriculum? A. I don't say I follow it to a T but I do a lot of what is in there. I've always done, you know, and since I was one of the people that helped create it, I mean much of my work is already in there but, yah, it gives us some guidelines to go by and -- Q. But you're not required? A. We're not required, no. We actually can come up with our own curriculum. Q. Are you aware of how other departments deal with state curriculum guides? Do they look at them? Do they read them? A. I assume that they do. I'm not fully aware of what the other schools are doing. Q. I mean the other departments. A. Yes, I know they all do. We actually had to sit down and develop our own curriculums last year because we went through, our school's North Central evaluation and private school evaluation this year, so Q. Do you use the state curriculum as a guide? A. I do, yah, and I think most of the other departments do as well. Q. Influenced by legal or judicial judgments? A. Well, when you deal with materials that I deal with, when you're dealing with plays and you've gotten royalties, you know, you have all of those things to consider. Yah, I am influenced to a certain extent because I know that it's important to follow the rules as far as notifying the publishers when I'm doing a show and paying them royalty fees. All those things are certainly there for us to follow and copyright laws and so forth. So it certainly does influence me to a certain extent. Q. Influenced by parents? A. My work life to a great extent has been very positive, one of things that I love about teaching at this school is the support that I have from parents and it's, I just received a note from a parent yesterday about their child having been in a production last week and how much the child enjoyed the production and they enjoyed it, and I receive notes like that every once in a while and that really, you know, it just means so much to me to get that kind of support and also to have the support of the parents at the productions. At the school that I, in the public school that I taught in, it was a different socio-economic group and there was not a lot of support, as a matter of fact there was more support the opposite way to draw the kids away from the arts because the parents did not feel they were anything that were, anything that supported what the families wanted the kids to do. They were more into having the kids try and go out and get a job and it was very difficult to get the parent to the performances and to get the kids to the practices, rehearsals and it was really discouraging to me but here, I feel like parents are very supportive. I had one incident I can think back to, not here but in my public school teaching where I had a parent call and complain because I was talking about a movie they didn't approve of and I, you know I am very aware of censorship and what's appropriate for high school and for middle school and elementary and I have been really pleased with the open mindedness of the students and the parents and the faculty here and I don't really feel like I have to censor most of the work that we do. Q. Influenced by professional organization? A. Well, I belong to the Thespians and several theater education associations and I did go to a natural conference two years ago and plan on going again this year and I just got a world of knowledge in the two or three days I was there. The workshops were just phenomenal and being able to talk with other teachers and compare notes and everybody was really willing to exchange ideas and I just felt a real closeness to people that I never knew before in a very short period of time and I think that is one of the nice things that networking that goes on is one of the really nice things about the organizations that we have. Q. Is the school able to give you financial support? A. Yah, they have. They have paid for me to go to several workshops just about every summer for the last four or five years I've attend a workshop or a conference. Q. Influenced by in-service training? A. Well, I think I'd like to see more in-service training done. That's one of things that I've been pushing for. We did have one two summers ago that was done by a psychologist and it really helped us focus on dealing with middle school students and what motivates then and discipline and it helped us to really develop a whole new discipline policy for the middle school. That, in some case was successful and in others, you know, need some work and I think we're going to rework some it this year, but I think that to me was kind of an eye opener and really I think helped the whole faculty when we were very frustrated. Q. Influenced by students? A. Yah, this year in particular, I have a senior class that has really been very influential. I have had some students who have had some goals and it kind of pushed me, I think, to expand my own horizons and there was a show that we did this year that I had read a couple of years ago and kind of set it aside thinking that technically it was too difficult to do and I really felt like, I don't know, I didn't really think I had the students that could carry the roles and one of my students at the beginning of the year came in and said, "You know, I read this play and I really would like to do it." I said, "Oh yah, I know that play. I read it a couple of years ago and kind of set it aside." And he said, "I really think we can do it." And I said, "Well let me read it again and let's talk about it." So I read it again and I thought, well, maybe this group could do it so we arrange the script, some reading copies, and we read it in class and the kids got real excited about it, they really wanted to do it, so I thought if they're that excited about it, you know, then it's really something we should look into and try to do, so we did. And I think it was one of the most successful productions ever done here and it was because of some students who really dedicated a lot of time at the very end of the year when usually the enthusiasm is very low and set their mind to doing this because they really wanted to do the production, and I had one student who was just phenomenal with sets and helped me in getting the set together and figuring out some technical problems that we needed to work on and it was totally the greatest satisfaction that I've had in a production in all 16 years that I was directing. So, had the students not committed to that at the beginning of the year and not encouraged me, I don't know that I would have ever picked up the script again. Q. Influenced by colleagues? A. Well, I think some of the things that I really like about teaching here is the great support you have and when I do a production I have a lot of teachers there and I get a lot of positive feed back and encouragement and I think that encourages me to go on, too. I didn't have the same feeling back in the first position that I taught in. There seemed to be a lot of bickering and, you know, people didn't want to share and there was not the exchange of ideas and Q. Do you know why? A. I don't know why. It may just have been the personality of the people involved. To some extent, you know, people felt that if they had an idea they should have credit for it and they didn't feel that they needed to share it with other people, but I think basically it was personalities, I don't know. It just seems that this faculty is basically so easy to get along with and very supportive and very open to new ideas, and that says, that's made my job a lot easier. Q. Influenced by North Central or the Association of Independent Schools? A. Well, this year I was very -----------------------. I was rather a tense beginning because we had so much work to do for preparing for the evaluation this year. A lot of paper work to do and, you never know, you hope that what you're doing is the right thing and actually, I had the advantage of sitting, going through a session preparing interviews for private school evaluations so that eventually hopefully I will be on an evaluation team but I've not done that, so it's kind of interesting to see what the evaluators were looking for before they were actually here. I got a little bit of insight into that, but besides their influence I don't think I'd change anything. What I do enjoy about the process is that they make suggestions and usually their suggestions are things that we already know we need to work on or would like to see changed, and hopefully by having that down in writing maybe eventually some of these changes will take place. I certainly hope so. Scheduling has always been a problem. I get very frustrated with the class periods. I would like to have two hour class period for my advanced class, even for my elementary classes. I feel like we just get going and the bell rings, you know, and when you're working on a full length play, I mean, you can't do that in a 50 minute period, or whatever. You just need more time and that's one of the things that they have suggested also looking at a schedule that would accommodate longer periods. Q. How are the decisions of scheduling made? A. Well, basically WWW, the head, does the scheduling and she has tried to accommodate us but it's so difficult because we have so few teachers and most of the classes are offered once during the day, trying to fit all of these classes in during the 7 period day is just a nightmare and then if you're expanding these classes into a double period you're also limiting the choices of what periods you can offer what classes, so it's just part of the difficulty of the size of the school and the number of faculty, I think. Q. Creative attempt that was thwarted? A. I can't think, I had a student teacher this year who was having some difficulty getting along with students and we were trying to work on writing a play and because of some discipline problems that we were having I was getting some complaints from parents about maybe expecting too much of the students and we didn't, I didn't change, I ended up stepping in taking over the assignment and changing the process just a little bit and by breaking it down into smaller segments that the students had an easier time with we actually got through the project and I thought it really turned out to be quite successful, but I think sometimes you need to, when you're trying something new, you need to think about how much the students can take at any particular time and, you know, expect too much again. It's surprising how frustrated the kids get and how much of this they share with their parents, you know, and I really appreciate getting feedback from parents. I like to know, you know, what's going on. Q. Failed attempt to influence you? A. I tried to do a show a couple of years ago, that was something I really wanted to do and I tried to influence the students into trying to be enthusiastic about the show and they just never could get it together so in the end we ended up canning the show, but out of that they decided within about two weeks time before a performance that we were supposed to do that they would get together some scenes and do them instead of doing the play that I wanted them to do and actually, they were very, very happy at that point. It was difficult because I really felt let-down and I was really disappointed that they didn't want to do this show but they really took on the new project and got their scenes together amazingly fast and really had, I think in the end, a performance they enjoyed doing much more and I think it's really important to get students involved with what you do and have them buy-in as we say into what's happening because if you try to influence them and it's something they're really adamant about not doing, I think in the end you're going to be butting heads and neither one of you are going to be happy. Q. Have there been any rules, regulations or policies out of the administration of the school that you've resisted and worked around? A. Well, I'm sure -------------- I can't think of anything off hand. We don't have too many rules around here. Most of the rules are pretty sensible rules, so it's not anything. I'm a terrible person with deadlines because I'm so stressed with meeting deadlines within my own performance area that deadlines for paperwork and all these other things that you must do when you're teaching I find rather stressful, but you know, in the end I end up doing them, so I don't think I cause too many problems. Q. Talk about bureaucratic constraints on teachers? A. Well, you know I don't feel, maybe because I've kind of ------ ----- them out and am considered part of the administration at this point, maybe I don't feel that bureaucracy quite as much as some of the other teachers do, but I don't feel, the channels here are easy to get through. People are willing to listen, I don't feel like, I don't know. I just don't feel that that's a problem here. Maybe you could define what you're thinking about a little bit more. Q. I want to know what you think that means. A. Well, I don't feel that there are steps that you need to take. I think if you have a problem and you go to the person that you have the problem with, that you can solve it. I don't feel that there's a lot of back-biting, you know, like there's a lot of panels you have to go through to get things accomplished here. I just think that the process is just so much more simplified than it would be in the public schools. You know, you don't have a superintendent that you have to go through to make major changes, you're head and you're assistant are right there. They're available -- I just never felt like there was a lot of paperwork that you have to do really to get something changes, even the business office is so easy to work with and those are really, you know, and I can think back to the public school system and all the steps and the bureaucracy that you had to go through to get things changed. I just don't feel that at all here. I think that people are really listen here and try new things. Q. The last question. Rank activities. A. I feel that I have control over all of these. A=1, B=2, D=3, C=4. Q. Do you think some of the freedom that you have has to do with the discipline that you teach because it doesn't relate to kids getting into college or getting college credit? Do you think there are other pressures on other disciplines? A. Well, I feel a certain amount of pressure in preparing the kids because I do have kids who go on in the arts in college and there are some basic knowledge and skills that I feel they need to have, so Q. The parents have that expectation also? A. I think they do, yah, I really do. It isn't all fun and games. There is a lot that is learned, technically. You know, there is a skill in getting up and performing and I work on those skills. Q. I just wondered if you have any different feeling because of your disciplines.